Big Trouble in Movie China
Follow me on Twitter @robcain or Sina Weibo @robcain, or connect with me on LinkedIn.
By Robert Cain for China Film Biz
November 26, 2012
Crisis in China's movie business was narrowly averted on Friday when the country's film authorities announced that they will award performance-based box office bonuses to domestic film distributors and to theaters, ending a weeks-long dispute that had each side threatening to boycott the other over revenue splits. Thanks to the feds' intervention, the eagerly awaited release of Feng Xiaogang's Back to 1942 will proceed as planned on Thursday, and Chinese moviegoers will enjoy a normal December movie season,
Tensions were high in mid-November when five of China's biggest film distributors banded together to demand an increase in their shares of box office revenues from 43 percent to 45 percent. The five companies—China Film Group, Huayi Brothers Media Group, Bona Film Group, Stellar Mega Films, and Enlight Pictures—told theaters that if they didn't get their way they would immediately start withholding the releases of their blockbuster movies, including Back to 1942 and Jackie Chan's China Zodiac, both of which are expected to be major holiday season hits.
In a notice issued to theater chains, the five film distributors said that China's domestically-made blockbusters have contributed significantly to the nation's film market. Yet, they complained, as they continue to produce films using state-of-the-art technology, production costs will continue to rise. "Therefore," the distributors asserted, "In order to boost the creation and production of domestic movies, improve their quality and gradually smooth over the economic relationships between the stages of producing, distributing and screening, we five companies have reached the consensus that the profit share proportion for distributors should not be lower than 45 percent."
Theater operators responded by holding an emergency meeting of their industry organization, the China Film Circulation and Projection Association, on November 17th in Guangzhou. They published a combative response (copied below) to the distributors' demands and offered some choice words to reporters, with veteran Wanda Cinema salesman Liang Liang telling a reporter, "I have only three words [for the distributors]: Go to hell!"
In their declaration, the theater operators deemed the distributors' demands unacceptable, for the following reasons:
- The five film distribution companies failed to follow the rules; without any attempt at consultation, they simply went ahead and gave the theaters an ultiimatum.
- The five film companies failed to consider that the industry's current revenue split has been formed over an extensive period of trial and error and therefore any change in pattern would require adequate preparation.
- The five film distribution companies only took into consideration their own interests, without considering the challenges faced by theater operators. Most theaters are unprofitable due to the exorbitant rents they must pay their landlords.
- The distributors failed to use the correct method to address their grievance. They could have easily taken their request for a raise in revenue shares to China's Movie Special Funds and apply for the increase in rates there.
- The distributors exchanged friendship for profit. China's movie industry has always supported these five major players in film distribution. However, their actions showed how they have seemingly left behind their integrity when the temptation of personal gain showed its face.
Civil war was ultimately prevented when the National Film Development Funds Management Committee (NFDFMC) stepped in and offered a solution in the form of bonus compensation to both sides, as follows:
For distributors of domestically made 3D and IMAX films
If a film grosses RMB 50mm to 100mm , a RMB 1mm bonus
If a film grosses RMB 100mm to 300mm, a RMB 2mm bonus
If a film grosses RMB 300mm to 500mm, a RMB 5mm bonus
If a film's box office gross surpasses 500mm, a RMB 10mm bonus
For theater operators
If at least 50 percent of a theater chain's total annual box office gross is earned from domestic films, 100 percent of fees paid during the year by the theater chain to the NFDFMC (a straight 5 percent of every RMB of ticket sales) will be reimbursed to the theater chain.
If the percentage of box office earned from domestic films is between 45 percent and 50 percent, the NFDFMC will reimburse 80 percent of the fees a theater has paid to it.
If the percentage is below 45 percent, but the domestic film revenue is still more than last year's, the NFDFMC will reimbursed 50 percent of the fees.
Both sides were apparently satisfied with this solution, and the show will go on. China's theaters will continue to run films from the five distributors, and Back to 1942 will unspool on the 29th.
Having witnessed an endless string of financial shenanigans in China's movie business, I can't help feeling that this whole dispute was staged as a ploy to justify an end result that undeniably favors domestic films over imported ones. After all, China's film regulators have for years twisted and strained to get around the WTO rules, and have often simply reneged on their legal obligations, in order to keep foreign films' revenues below a 50 percent aggregate share of the box office.
With the attractive NFDFMC bonuses to tempt them, it's hard to imagine that any theater chain in China will ever again submit an annual report with a domestic film box office share of less than 50 percent. The new rules give them powerful incentive to under-report the grosses of the foreign films they exhibit (if they aren't already doing so) in order to maintain the desired balance and win their juicy year-end spoils.
As if this shift against the interests of foreign distributors wasn't injury enough, I'm also hearing rumors that SARFT is planning to find ways to roll back the 25 percent share it pays foreign films to a somewhat lower rate. If you've heard anything about this please write me at the email address below.
Robert Cain is a producer and entertainment industry consultant who has been doing business in China since 1987. He can be reached at rob@pacificbridgepics.com and at www.pacificbridgepics.com.
Read More » Source
- Irene Wan - Chinese actress
Irene Wan Bik-ha is a Hong Kong film actress. She was nominated for the Hong Kong Film Award for Best New Performer at the 2nd Hong Kong Film Awards for her role in Lonely Fifteen.Born: January 31, 1967 (age 45)Spouse: He Zuguang (m. 2000)Movies: All of a Sudden, Everlasting Love, Rouge, Fatal Vacation, Lonely Fifteen
- Vivian Hsu - Chinese sexy actress
- Zhang Jia Ni - Photo shoot
- Crazybarby Leni Lan, Chinese actress, born on 1990. Famous for HongKong 3D porn movie – Sex and Zen: Extreme EcstasyBlue Yan (March 9, 1986 -), the glimmer of a popular movie star, star Ji media founder. He graduated from the Hong Kong Academy for Performing Arts, the Shanghai Theatre Academy. Was the beloved disciple of Jackie Chan as Hong Kong JCE's pitch for the artists to hit the international market. 2005 full Russian starring Warner Bros "Butterfly Kiss" broken "Pirates of the Caribbean 2" box office record in the 2006 Russian box office champion overnight success in the international arena. 2007 the QMAS Get Hong Kong identity cards. 3D Digital Entertainment in 2011 a large number of shares, investment and starring the heroine of "3D meat futon" a gun and red, to break forty million at the box office record won the Hong Kong films of 2011 Hong Kong box office champion, became the first to rely on the popular 3D movies Asian actress, but also in Europe and America's most popular Chinese actress.
- Photo
- jpopmagazine: 「Becky meets ViS」jpopmagazine:「Becky meets ViS」
- jpopmagazine: EDGE STYLE December 2012
- My kind of casual chic weekend style, loves it!My kind of casual chic weekend style, loves it!
- Sun Ning photo shoot
- Sun Ning sexy in red clothSun Ning's Biography:- Name: 孙宁 / Sun Ning- Profession: Actress- Birthdate: 1980-Dec-21- Birthplace: Nanjing, Jiangsu, China- Height: 167cm- Weight: 48kg- Star sign: Sagittarius- Chinese zodiac: Monkey- Family: Husband/actor Wang Xue Bing
- Wen Jian Ting (温健婷) from Shenzhen, ChinaName: Wen Jian Ting (温健婷)Date of Birth: May 11, 1991Height: 168 cmWeight: 48 kgBlog: http://babytz.blogbus.com/RenRen: http://www.renren.com/profile.do?id=264236723T.Sina: http://t.sina.com.cn/babytzAbout: Wen Jian Ting (温健婷) or also known as Tingzhi (TZ, 婷子) is a sweet young girl currently studying in Shenzhen University. Tingzhi isn't only pretty but her strong dancing foundation earned her a recommendation of admission in joining other talented dancers in Bejing Normal University. Tingzhi took part in several dance competitions such as "阳光 新星梦", "舞之星" and the Miss Asia International Pageant 2009, and have achieve outstanding results in all of them. With long slender legs, gorgeous long hair, smooth fair skin, beautiful big eyes and luscious lips that are often compared withAngelababy, Tingzhi is all natural beauty and was a well-known high school beauty.
Comments