MAGAZINE COVER & EDITORIAL: Ming Xi in (China) Modern Weekly, April 2012
Model: Ming Xi (Ford) Editorial: Couture Radiation Magazine: (China) Modern Weekly, April 2012 Photographer: JMN Stylist: Ting Ting Lin Hair: Unknown Makeup: Unknown
Ziyi Zhang (Chinese: 章子怡; pinyin: Zhāng Zǐyí; Wade-Giles: Chang Tzu-yi; born February 9, 1979) is a Chinese film actress and singer. Zhang is coined by the media as one of the Four Young Dan actresses (四大花旦) in the Film Industry in China, along with Zhao Wei, Xu Jinglei, and Zhou Xun. With a string of Chinese and international hits to her name, she has worked with renowned directors such as Zhang Yimou, Ang Lee, Wong Kar-Wai, Chen Kaige, Tsui Hark, Lou Ye, Seijun Suzuki, Feng Xiaogang and Rob Marshall. At the age of 19, Zhang was offered her first role in Zhang Yimou's The Road Home, which won the Silver Bear award in the 2000 Berlin Film Festival. Zhang further rose to fame due to her role as the headstrong Jen (Chinese version: Yu Jiao Long) in the phenomenally successful Crouching Tiger, Hidden Dragon, for which she won several awards in the West, such as Chicago Film Critics Association Awards, Toronto Film Critics Association Awards and Independent Spirit Awards. Zhang's first appearance in an American movie was in Rush Hour 2, but because she didn't speak English at the time, Jackie Chan had to interpret everything the director said to her. In the movie, her character's name, "Hu Li", is translated from Mandarin Chinese to "Fox". Zhang then appeared in Hero, with her early mentor Zhang Yimou, which was a huge success in the English-speaking world and nominated for an Oscar and a Golden Globe award. Her next film was the avant-garde drama Purple Butterfly by ...Video Rating: 4 / 5
Chow Yun-Fat, Michelle Yeoh. When the sword belonging to a famed warrior is stolen, the stage for an epic battle is set in this breathtaking international hit. 2000/color/120 min/NR/widescreen.Hong Kong wuxia films, or martial arts fantasies, traditionally squeeze poor acting, slapstick humor, and silly story lines between elaborate fight scenes in which characters can literally fly. Crouching Tiger, Hidden Dragon has no shortage of breathtaking battles, but it also has the dramatic soul of a Greek tragedy and the sweep of an epic romance. This is the work of director Ang Lee, who fell in love with movies while watching wuxia films as a youngster and made Crouching Tiger as a tribute to the form. To elevate the genre above its B-movie roots and broaden its appeal, Lee did two important things. First, he assembled an all-star lineup of talent, joining the famous Asian actors Chow Yun-fat and Michelle Yeoh with the striking, charismatic newcomer Zhang Ziyi. Behind the scenes, Lee called upon cinematographer Peter Pau (The Killer, The Bride with White Hair) and legendary fight choreographer Yuen Wo-ping, best known outside Asia for his work on The Matrix. Second, in adapting the story from a Chinese pulp-fiction novel written by Wang Du Lu, Lee focused not on the pursuit of a legendary sword known as "The Green Destiny," but instead on the struggles of his female leads against social obligation. In his hands, the requisite fight scenes become another means of expressing the individual spirits of his characters and their conflicts with society and each other.
The filming required an immense effort from all involved. Chow and Yeoh had to learn to speak Mandarin, which Lee insisted on using instead of Cantonese to achieve a more classic, lyrical feel. The astonishing battles between Jen (Zhang) and Yu Shu Lien (Yeoh) on the rooftops and Jen and Li Mu Bai (Chow) atop the branches of bamboo trees required weeks of excruciating wire and harness work (which in tu! rn requi red meticulous "digital wire removal"). But the result is a seamless blend of action, romance, and social commentary in a populist film that, like its young star Zhang, soars with balletic grace and dignity. --Eugene Wei
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