China Film Group Acts as a Powerful Gatekeeper


Wang Xin Yi

Wang Xin Yi

微笑

微笑

Hi Cheese!

Hi Cheese!

model: Ai Nakagawa
postprocess: I cropped right side for cutting reflection of the strobe :<

"Wow! great view!"
"Make good side of me!"

"Of course, Madam!"

gentle moment

gentle moment

model: Ai Nakagawa
postprocess: I tilted a bit for adjusting her position properly.

When she looked at the city view of Tokyo, she suddenly stared at me.
It was gentle moment between just the two of us.

intimacy

intimacy

model: Ai Nakagawa

She always gives me a lof of happiness when I meet and shoot her.
She is my favourite model.

Mikie Hara



Mikie Hara

零點人們不回家,1點人們不回家,2點人們不回家,3點早飯灘頭就出來了。

---_DZZ2014


Linh - coi`

Linh - coi`

I could easily shoot this woman all day long!

I could easily shoot this woman all day long!

I flew into Las Vegas in October 2011 to head for the eastern Sierras but I happened to be in town for the Las Vegas Renaissance Fair - aka the Age of Chivalry. This was my first visit to this fair so I didn't know what to expect. The fair was pretty cool, it was spread out over a large area so I may have missed some of the shows. Also, I didn't have a chance to get the names of any of the performers - if you happen to know any of these people/acts, please let me know.

Please go easy on me when checking out these photos - it was an absolutely gorgeous day to be outside - bright sun with no clouds - which is exactly why it was a horrible day to take photos - very harsh shadows on the faces, a lot of squinting going on, and very little shade for even lighting - what a bummer!

Fan Bingbing ...

▼ ▲郭雪芙為FHM雜誌拍攝封面。(圖/公關)

China Film Group Acts as a Powerful Gatekeeper

LOS ANGELES — Any foreign movie knocking on China's door must pass through powerful gatekeepers — the China Film Group and its chief executive, Han Sanping.

The China Film Group functions as the Chinese government's guardian of a film market that recently shot past Japan's to become the world's second-largest in box-office receipts behind the United States. On a broad array of business dealings — censorship, distribution and co-productions, among others — it is the conduit for foreign moviemakers hoping to make or distribute films in China.

But Mr. Han and his group are also supervising a trade route that is suddenly under close watch by regulators in Washington, after reports last week that officials in the United States are examining whether American film companies have violated domestic law by making illegal payments to officials in China.

In March, the Securities and Exchange Commission wrote to major film companies and smaller competitors — including Walt Disney, 20th Century Fox and DreamWorks Animation — requesting information about their business practices in China, according to people with knowledge of the investigation, who spoke on condition of anonymity because the matter could end up in court.

The investigation was set off by a whistle-blower, one of the people said. It is not known specifically which American business dealings with China are under investigation, but this person said the Hollywood companies were told to freeze all files, e-mails and other data related to getting films made or distributed in China. Several people briefed on the letters described some aspects of them, but all spoke on condition of anonymity because of confidentiality strictures.

While the letters are said to include no specific reference to China Film, executives scrambling to comply with the request are preparing as if their dealings with the group are part of the inquiry because of its all-important role in getting films made in China, according to executives based in the United States and in China.

The S.E.C. inquiry, which would have direct legal consequences only for companies with an American presence, is certain to make Hollywood studios that do business in China even more wary of possible missteps.

It has also focused fresh attention on the official Chinese apparatus for making and distributing films, beginning with the State Administration of Radio Film and Television and extending to the China Film Group, a state-controlled entity without whose support a foreign film is not allowed to enter China.

"It's the equivalent of Universal, Sony, the M.P.A.A. and Regal all tied up in one," said an American producer who has done business extensively in China. His description compared the China Film Group to a pair of major studios, the Motion Picture Association of America trade group, and America's largest theater chain, Regal Entertainment Group, but with the added authority of a government franchise.

In China film circles, Mr. Han's name requires little explanation: He is called "Master Han" or "the godfather of the Chinese movie industry."

He had a role in directing "The Founding of a Republic," and "Beginning of the Great Revival," a pair of patriotic Chinese epics about Mao and the founding of the Communist Party.

That role comes atop producing credits on more than four dozen movies, most of them Chinese, but at least two — "The Karate Kid," from Sony Pictures Entertainment, and "Mission: Impossible III" — that were made by Hollywood studios for global markets with involvement by the China Film Group.

In person, Mr. Han, who speaks little or no English, can nevertheless come across as an almost stereotypical Hollywood producer, an acquaintance said. He is demonstrative and colorfully expressive when speaking, and appears eager to befriend and be seen with Western movie stars, the acquaintance said.

Michael Cieply reported from Los Angeles, and David Barboza from Beijing. Reporting was contributed by Brooks Barnes from Los Angeles, Edward Wyatt from Washington, and Edward Wong and Jonathan Landreth from Beijing. Gu Huini contributed research from Beijing.

Read More @ Source


Zhang Ziyi

The Road Home - Zhang Yimou - Zhang Ziyi

The Road Home - Chinese Movie by Zhang Yimou - with Zhang Ziyi, Sun Honglei, Zheng Hao, Zhao Yuelin - Soundtrack composed by San Bao

Video Rating: 5 / 5

Memoirs of a Geisha [Blu-ray]

A Cinderella story set in a mysterious and exotic world, this stunning romantic epic shows how a house servant blossoms, against all odds, to become the most captivating geisha of her day.Chicago director Rob Marshall's pretty but empty (or pretty empty) film has all the elements of an Oscar® contender: solid adaptation (from Arthur Golden's bestseller), beautiful locale, good acting, lush cinematography. But there's something missing at the heart, which leaves the viewer sucked in, then left completely detached from what's going on.

It's hard to find fault with the fascinating story, which traces a young girl's determination to free herself from the imprisonment of scullery maid to geisha, then from the imprisonment of geisha to a woman allowed to love. Chiyo (Suzuka Ohgo), a young girl with curious blue eyes, is sold to a geisha house and doomed to pay off her debt as a cleaning girl until a stranger named The Chairman (Ken Watanabe) shows her kindness. She is inspired to work hard and become a geisha in order to be near the Chairman, with whom she has fallen in love. An experienced geisha (Michelle Yeoh) chooses to adopt her as an apprentice and to use as a pawn against her rival, the wicked, legendary Hatsumomo (Gong Li). Chiyo (played as an older woman by Ziyi Zhang), now renamed Sayuri, becomes the talk of the town, but as her path crosses again and again with the Chairman's, she finds the closer she gets to him the further away he seems. Her newfound "freedom" turns out to be trapping, as men are allowed to bid on everything from her time to her virginity.

Some controversy swirled around casting Chinese actresses in the three main Japanese roles, but Zhang, Yeoh and Gong in particular ably prove they're the best for the part. It's admirable that all the actors attempted to speak Japanese-accented English, but some of the dialogue will still prove difficult to understand; perhaps it contributes to some of the emotion feeling stilted. Geisha has all the ingredients of a sweepi! ng, hear tbreaking epic and follows the recipe to a T, but in the end it's all dressed up with no place to go.--Ellen A. Kim

List Price: $ 19.99 Price: $ 7.49

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